Teeki Swimwear - Summer '11 |
An ongoing day by day diary of whatever happened to capture my attention when it came time to post
6.7.11
Something's Very Wrong Here
Labels:
fashion,
styling horror
Where I'm currently hiding
West Ryde NSW 2114, Australia
4.7.11
The Sexy Child
One of the things that's cropped up in both the old movies we've watched and the readings we've done is the concept of the woman as both naively childlike and overtly sexual.
Particular examples from the lecture series are Marilyn Monroe and Bridget Bardot, though Audrey Hepburn is a less sexualised example.
Marilyn was constructed as an uber-sexual ideal, her hair dyed platinum blonde and her wardrobe filled with slinky, fitted clothing. Yet she was always portrayed as quite dumb, easily taken in by the men around her. And it is this combination that makes her appealingly safe as a sex object to men, she's gorgeous but in no way threatening. Despite this she has a 'tongue-in-cheek' quality that makes her similarly appealing to women, she knows her affect on men and uses it to her advantage.
Bridget Bardot had a similarly created persona, combining sexuality and innocence. Her hair was also dyed blonde and she exhibited a childlike dishabille which when first exhibited to the world at the Cannes Film Festival put her on the road to fame. She became renowned for her overt sexuality and innocent nonchalance.
studies done on this phenomena is has a lot of genetic basis. Having a young mate means that she has a long period of feritility and health ahead of her, so appearing young is very sexually appealing. However it is actually about a 50-50 mix of childlike and mature features that has proven most attractive in photo comparison studies. The mature features mark the women as being sexual mature.
People with 'baby' features also tend to be viewed as innocent and more likeable, and are less likely to be punished harshly for any indiscretions. This treatment from those around them can also lead to those with baby-faces playing up to this impression, acting more childlike to garner an even stronger reaction.
Particular examples from the lecture series are Marilyn Monroe and Bridget Bardot, though Audrey Hepburn is a less sexualised example.
Marilyn was constructed as an uber-sexual ideal, her hair dyed platinum blonde and her wardrobe filled with slinky, fitted clothing. Yet she was always portrayed as quite dumb, easily taken in by the men around her. And it is this combination that makes her appealingly safe as a sex object to men, she's gorgeous but in no way threatening. Despite this she has a 'tongue-in-cheek' quality that makes her similarly appealing to women, she knows her affect on men and uses it to her advantage.
Bridget Bardot had a similarly created persona, combining sexuality and innocence. Her hair was also dyed blonde and she exhibited a childlike dishabille which when first exhibited to the world at the Cannes Film Festival put her on the road to fame. She became renowned for her overt sexuality and innocent nonchalance.
studies done on this phenomena is has a lot of genetic basis. Having a young mate means that she has a long period of feritility and health ahead of her, so appearing young is very sexually appealing. However it is actually about a 50-50 mix of childlike and mature features that has proven most attractive in photo comparison studies. The mature features mark the women as being sexual mature.
People with 'baby' features also tend to be viewed as innocent and more likeable, and are less likely to be punished harshly for any indiscretions. This treatment from those around them can also lead to those with baby-faces playing up to this impression, acting more childlike to garner an even stronger reaction.
Labels:
Tiny People have all the Luck,
university
Where I'm currently hiding
Ultimo, Sydney NSW 2007, Australia
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